Feeling the beat where it counts: fostering multi-limb rhythm skills with the haptic drum kit S Holland, AJ Bouwer, M Dalgelish, TM Hurtig Proceedings of the fourth international conference on Tangible, embedded …, 2010 | 94 | 2010 |
The Haptic Bracelets: learning multi-limb rhythm skills from haptic stimuli while reading A Bouwer, S Holland, M Dalgleish Music and human-computer interaction, 101-122, 2013 | 36 | 2013 |
Whole body interaction in abstract domains S Holland, K Wilkie, A Bouwer, M Dalgleish, P Mulholland Whole body interaction, 19-34, 2011 | 31 | 2011 |
Song walker harmony space: embodied interaction design for complex musical skills A Bouwer, S Holland, M Dalgleish Music and human-computer interaction, 207-221, 2013 | 16 | 2013 |
Postrum: developing good posture in trumpet players through directional haptic feedback M Dalgleish, S Spencer Society for Interdisciplinary Musicology (SIM), 2014 | 12 | 2014 |
“There are no universal interfaces: how asymmetrical roles and asymmetrical controllers can increase access diversity. M Dalgleish G| A| M| E Games as Art, Media, Entertainment 1 (7), 2018 | 11 | 2018 |
Technology inspired design for pervasive healthcare J van der Linden, Y Rogers, C Taylor, M Dalgleish 2011 5th International Conference on Pervasive Computing Technologies for …, 2011 | 7 | 2011 |
Reconsidering process: bringing thoughtfulness to the design of digital musical instruments for disabled users M Dalgleish International Conference on Live Interfaces (ICLI), 2014 | 5 | 2014 |
The modular synthesizer divided: The keyboard and its discontents M Dalgleish Canadian Electroacoustic Community (CEC), 2016 | 4 | 2016 |
BLURRING THE LINES: AN INTEGRATED COMPOSITIONAL MODEL FOR DIGITAL MUSICAL INSTRUMENT DESIGN M Dalgleish Proceedings of the 9th Conference on Interdisciplinary Musicology. CIM14 …, 2014 | 2 | 2014 |
The haptic iPod: passive learning of multi-limb rhythm skills A Bouwer, M Dalgleish, S Holland Workshop ‘When Words Fail: What Can Music Interaction Tell Us About HCI, 2011 | 2 | 2011 |
Sound objects: Exploring procedural audio for theatre M Dalgleish, S Whitfield Innovation in Music, 188-205, 2021 | 1 | 2021 |
Seeing with one's own ears: soundtrack as interface for theatre M Dalgleish, N Reading University of Aveiro, 2019 | 1 | 2019 |
There are no universal interfaces M DALGLEISH DIGITAL GAMES FOR SPECIAL NEEDS; SPECIAL NEEDS FOR DIGITAL GAMES, 11, 2018 | 1 | 2018 |
Soundtrack as Auditory Interface: Exploring an Alternative to Audio Description for Theatre M Dalgleish, N Reading Institute of Acoustics, 2017 | 1 | 2017 |
The Modular Synthesizer Divided' M Dalgleish eContact!(17.4), 2016 | 1 | 2016 |
Postrum II: a posture aid for trumpet players M Dalgleish, S Spencer, C Payne Linux Audio Conference, 2015 | 1 | 2015 |
In-between instrument and immediacy: Guitar Hero and the instrument-inspired M DALGLEISH, C Payne | | 2024 |
Who Can Play? Rethinking Video Game Controllers and Accessibility M Dalgleish Disability and Video Games: Practices of En-/Disabling Modes of Digital …, 2023 | | 2023 |
Layering the senses: exploring audio primacy in multisensory cinema M Dalgleish Institute of Acoustics, 2021 | | 2021 |