| Listening to the world but hearing ourselves: Hybridity and perceptions of authenticity in world music S Weiss Ethnomusicology 58 (3), 506-525, 2014 | 95 | 2014 |
| Listening to an earlier Java: Aesthetics, gender, and the music of wayang in central Java S Weiss Listening to an Earlier Java, 2010 | 78 | 2010 |
| Permeable Boundaries: Hybridity, Music, and the Reception of Robert Wilson's" I La Galigo" S Weiss Ethnomusicology 52 (2), 203-238, 2008 | 50 | 2008 |
| " Kothong Nanging Kebak", Empty Yet Full: Some Thoughts on Embodiment and Aesthetics in Javanese Performance S Weiss Asian Music 34 (2), 21-49, 2003 | 27 | 2003 |
| Gender and gender: Gender ideology and the female gender player in Central Java S Weiss Rediscovering the muses: Women's musical traditions, 21-48, 1993 | 24 | 1993 |
| Ritual K Weis Grundbegriffe der Soziologie 4, 258-261, 1991 | 20 | 1991 |
| Gamelan of Central Java II: Ceremonial Music, and: Gamelan of Central Java IV: Spiritual Music S Weiss Asian Music 40 (1), 157-161, 2009 | 9 | 2009 |
| Tayuban [Introduced and translated by Sarah Weiss.] N Notosusanto, S Weiss RIMA: Review of Indonesian and Malaysian Affairs 29 (1-2), 119-124, 1995 | 9 | 1995 |
| Gender and Gender Redux: Rethinking Binaries and the Aesthetics of Old-Style Javanese Wayang S Weiss Women and Music: A Journal of Gender and Culture 12 (1), 22-39, 2008 | 8 | 2008 |
| Ritual soundings: women performers and world religions S Weiss University of Illinois Press, 2019 | 5 | 2019 |
| ? Écouter le monde mais n’entendre que soi? Hybridité et perceptions de l'authenticité dans les musiques du monde S Weiss Volume! 1, 91-109, 2013 | 5* | 2013 |
| Paradigms and anomalies: female-style genderan and the aesthetics of central Javanese wayang S Weiss New York University, 1998 | 5 | 1998 |
| Rangda and the Goddess Durga in Bali S Weiss Fieldwork in Religion 12 (1), 50-77, 2017 | 4 | 2017 |
| Transcending Boundaries: Javanese Wayang Kulit without the Shadows S Weiss Resounding transcendence, 43-63, 2016 | 3 | 2016 |
| Negotiating Singaporean identities: Observations from study at an Academy of Indian Music and Dance Performance S Weiss Understanding Musics: Festschrift on the Occasion of Gerd Grupe’s 65th …, 2020 | 2 | 2020 |
| Analyzing Grimingan: Seeking Form, Finding Process1 S Weiss Analytical Approaches to World Music 1 (1), 28-47, 2011 | 2 | 2011 |
| Review Essay: Getting beyond Java: New Studies in Indonesian Music S Weiss Ethnomusicology 51 (1), 131-142, 2007 | 2 | 2007 |
| Musical revelations from Indonesia [Review of six CD recordings of Indonesian music.] S Weiss RIMA: Review of Indonesian and Malaysian Affairs 29 (1-2), 147-154, 1995 | 2 | 1995 |
| Performance in Southeast Asian History T Day, S Weiss Routledge Handbook of Southeast Asian History, 300-309, 2014 | 1 | 2014 |
| Chapter IV: Javanese rasa: Gendering emotion and restraint S Weiss Listening to an Earlier Java, 103-130, 2006 | 1 | 2006 |
