Sarah Weiss
Sarah Weiss
KunstUniversitätGraz - University of Music and Performing Arts Graz
Verified email at
Cited by
Cited by
Listening to an Earlier Java: Aesthetics, gender, and the music of wayang in Central Java
S Weiss
Brill, 2010
Listening to the world but hearing ourselves: Hybridity and perceptions of authenticity in world music
S Weiss
Ethnomusicology 58 (3), 506-525, 2014
Permeable Boundaries: Hybridity, Music, and the Reception of Robert Wilson's" I La Galigo"
S Weiss
Ethnomusicology 52 (2), 203-238, 2008
Gender and gender: gender ideology and the female gender player in Central Java
S Weiss
Rediscovering the muses: Women's musical traditions, 21-48, 1993
" Kothong Nanging Kebak", Empty Yet Full: Some Thoughts on Embodiment and Aesthetics in Javanese Performance
S Weiss
Asian music 34 (2), 21-49, 2003
Tayuban [Introduced and translated by Sarah Weiss.]
N Notosusanto, S Weiss
RIMA: Review of Indonesian and Malaysian Affairs 29 (1-2), 119-124, 1995
Gender and Gender redux: rethinking binaries and the aesthetics of old-style Javanese wayang
S Weiss
Women and Music: A Journal of Gender and Culture 12 (1), 22-39, 2008
Paradigms and anomalies: female-style genderan and the aesthetics of central Javanese wayang
S Weiss
New York University, 1998
Gamelan of Central Java II: Ceremonial Music, and: Gamelan of Central Java IV: Spiritual Music
S Weiss
Asian Music 40 (1), 157-161, 2009
Ritual soundings: women performers and world religions
S Weiss
University of Illinois Press, 2019
Musical revelations from Indonesia [Review of six CD recordings of Indonesian music.]
S Weiss
RIMA: Review of Indonesian and Malaysian Affairs 29 (1-2), 147-154, 1995
Transcending Boundaries: Javanese Wayang Kulit without the Shadows
S Weiss
Resounding transcendence, 43-63, 2016
Performance in Southeast Asian History
T Day, S Weiss
Routledge Handbook of Southeast Asian History, 312-321, 2014
Écouter le monde mais n’entendre que soi. Hybridité et perceptions de l'authenticité dans les musiques du monde
S Weiss
Volume!. La revue des musiques populaires, 91-92, 2013
Analyzing Grimingan: Seeking Form, Finding Process1
S Weiss
Analytical Approaches to World Music 1 (1), 28-47, 2011
Rules or'Rasa': Aesthetics and Gender in the Performance of Central Javanese Wayang
S Weiss
About Performance, 91-99, 1996
Hearing Southeast Asia: Sounds of Hierarchy and Power in Context
S Weiss
SOJOURN: Journal of Social Issues in Southeast Asia 36 (1), 187-193, 2021
Rangda and the Goddess Durga in Bali
S Weiss
Fieldwork in Religion 12 (1), 50-77, 2017
The Society for Ethnomusicology, SEM Newsletter
AK Rasmussen, B Diamond, S Seeman, E Bates, T Jackson, S Williams, ...
Javanese Wayang Kulit wiThouT The shadows
S Weiss
Resounding Transcendence: Transitions in Music, Religion, and Ritual, 43, 2016
The system can't perform the operation now. Try again later.
Articles 1–20