| Queer orientalism and modernism in dance photographs of harald kreutzberg and yvonne georgi W Lim The German Quarterly 95 (2), 167-182, 2022 | 5 | 2022 |
| Asian sporting masculinities in figure skating: media representations of Nathan Chen and Yuzuru Hanyu as rivals MHS Ho, W Lim Media, Culture & Society 45 (3), 561-577, 2023 | 3 | 2023 |
| An Enhanced Otherworldliness: Thierry De Mey's Screendance Based on William Forsythe's One Flat Thing, reproduced W Lim Dance Research Journal 50 (1), 47-66, 2018 | 3 | 2018 |
| Bridging Gesture, Gesticulation, and Early Modern Dance: Rilke's Veitstänzer in The Notebooks of Malte Laurids Brigge W Lim Dance Chronicle 39 (3), 279-298, 2016 | 3 | 2016 |
| The specter of Pina Bausch: enhancing the possibilities of Tanztheater through film in Wim Wenders’s Pina (2011) W Lim Studies in European Cinema 17 (1), 4-19, 2020 | 2 | 2020 |
| Skating toward Americanization: The Transformation of Katarina Witt throughout the 1980s W Lim German Politics and Society 37 (2), 44-75, 2019 | 2 | 2019 |
| From Ritual Dance to Flight? Glimmers of the Fantastic in Robert Müller's" Tropen: Der Mythos der Reise" W Lim Journal of Austrian Studies, 101-120, 2015 | 2 | 2015 |
| From Spectator to Practitioner: Transforming Harry Graf Kessler's Dance Aesthetic W Lim KulturPoetik 13 (2), 197-217, 2013 | 2 | 2013 |
| Beginning the Legacy of GDR Figure Skating but Stopping Short: Gaby Seyfert's Performance of Her Eigensinn W Lim Feminist German Studies 37 (1), 111-137, 2021 | 1 | 2021 |
| The Wildness of Tonya Harding's First Triple Axel on Live Television W Lim Peephole Journal, 2019 | 1 | 2019 |
| Spiritual Selfishness: The Limitations of Dance in Klaus Mann’s Der fromme Tanz and Die zerbrochenen Spiegel W Lim Seminar: A Journal of Germanic Studies 53 (2), 159-178, 2017 | 1 | 2017 |
| Dancing with the Modernist City: Metropolitan Dance Texts Around 1900 WB Lim University of Michigan Press, 2024 | | 2024 |
| Hyperathletic Artistry: Nathan Chen and Yuzuru Hanyu Performing Asian Masculinities W Lim, M HS Ho Dance Research 41 (1), 1-18, 2023 | | 2023 |
| Breathing Back the History of German Modern Dance through the Horror Film Genre in Luca Guadagnino's Suspiria (2018) W Lim Dance Research Journal 55 (1), 81-97, 2023 | | 2023 |
| The aesthetics of queer work: Loïe Fuller's exhausting life as performance art in Stéphanie Di Giusto's The Dancer (2016) W Lim Circus and the Avant-Gardes, 196-212, 2022 | | 2022 |
| A Mode of Agitation between Verfremdungseffekt and Empathy: Breaking the Fourth Wall in Craig Gillespie’s I, Tonya W Lim Canadian Journal of Film Studies 30 (2), 75-92, 2021 | | 2021 |
| Reimagining the Brown Body: Contact Improvisation and an Alternative Masculinity in Alignigung, William Forsythe’s Screendance W Lim TDR 65 (3), 78-90, 2021 | | 2021 |
| Marking Modern Movement: Dance and Gender in the Visual Imagery of the Weimar Republic W Lim German Quarterly 94 (2), 266-268, 2021 | | 2021 |
| Bodies in Color, Black and White, and in Piles: The Dichotomy of Concentration Camp Aesthetics and Somatic Dance Practices in Sasha Waltz's Screendance Körper (2000) W Lim German Studies Review 44 (2), 335-358, 2021 | | 2021 |
| Gestural Imaginaries: Dance and Cultural Theory in the Early Twentieth Century by Lucia Ruprecht W Lim German Studies Review 43 (1), 181-183, 2020 | | 2020 |
