Artists' pigments: A handbook of their history and characteristics A Roy, RL Feller, EW Fitzhugh, BH Berrie (No Title), 1993 | 336 | 1993 |
New frontiers in materials science for art conservation: responsive gels and beyond E Carretti, M Bonini, L Dei, BH Berrie, LV Angelova, P Baglioni, RG Weiss Accounts of chemical research 43 (6), 751-760, 2010 | 266 | 2010 |
Artists' pigments: a handbook of their history and characteristics BH Berrie National Gallery of Art, 2007 | 154* | 2007 |
Prussian blue BH Berrie Artists’ pigments: a handbook of their history and characteristics 3, 191-217, 1997 | 137 | 1997 |
Multispectral imaging of paintings in the infrared to detect and map blue pigments JK Delaney, E Walmsley, BH Berrie, CF Fletcher Scientific examination of art: modern techniques in conservation and …, 2005 | 89 | 2005 |
Synchrotron UV− visible multispectral luminescence microimaging of historical samples M Thoury, JP Echard, M Réfrégiers, B Berrie, A Nevin, F Jamme, ... Analytical chemistry 83 (5), 1737-1745, 2011 | 68 | 2011 |
A new lead-based yellow in the seventeenth century A Roy, BH Berrie Studies in Conservation 43 (sup1), 160-165, 1998 | 48 | 1998 |
A multiscalar photoluminescence approach to discriminate among semiconducting historical zinc white pigments L Bertrand, M Réfrégiers, B Berrie, JP Echard, M Thoury Analyst 138 (16), 4463-4469, 2013 | 46 | 2013 |
Rethinking the history of artists' pigments through chemical analysis BH Berrie Annual Review of Analytical Chemistry 5, 441-459, 2012 | 43 | 2012 |
Soft, peelable organogels from partially hydrolyzed poly (vinyl acetate) and benzene-1, 4-diboronic acid: applications to clean works of art TT Duncan, BH Berrie, RG Weiss ACS applied materials & interfaces 9 (33), 28069-28078, 2017 | 39 | 2017 |
Partially hydrolyzed poly (vinyl acetate)-borax-based gel-like materials for conservation of art: Characterization and applications LV Angelova, BH Berrie, K de Ghetaldi, A Kerr, RG Weiss Studies in Conservation 60 (4), 227-244, 2015 | 36 | 2015 |
Revealing the Distribution of Metal Carboxylates in Oil Paint from the Microto Nanoscale X Ma, V Beltran, G Ramer, G Pavlidis, DY Parkinson, M Thoury, ... Angewandte Chemie 131 (34), 11778-11782, 2019 | 35 | 2019 |
Azo pigments: their history, synthesis, properties, and use in artists' materials BH Berrie, SQ Lomax Studies in the History of Art 57, 8-33, 1997 | 33 | 1997 |
Nonadiabaticity in ruthenium (III)-titanium (III) outer-sphere electron-transfer reactions JE Earley, RN Bose, BH Berrie Inorganic Chemistry 22 (13), 1836-1839, 1983 | 33 | 1983 |
Unusual pigments found in a painting by Giotto (c. 1266-1337) reveal diversity of materials used by medieval artists BH Berrie, M Leona, R McLaughlin Heritage Science 4, 1-9, 2016 | 30 | 2016 |
Mining for color: new blues, yellows, and translucent paint BH Berrie Early science and medicine 20 (4-6), 308-334, 2015 | 29 | 2015 |
Material innovation and artistic invention: new materials and new colors in renaissance venetian paintings BH Berrie, LC Matthew Scientific Examination of Art: Modern Techniques in Conservation and …, 2005 | 29 | 2005 |
Change is permanent: thoughts on the fading of cochineal-based watercolor pigments BH Berrie, Y Strumfels Heritage Science 5, 1-9, 2017 | 27 | 2017 |
Micro to nano: multiscale IR analyses reveal zinc soap heterogeneity in a 19th-century painting by Corot X Ma, G Pavlidis, E Dillon, V Beltran, JJ Schwartz, M Thoury, F Borondics, ... Analytical Chemistry 94 (7), 3103-3110, 2022 | 20 | 2022 |
Synchrotron DUV luminescence micro-imaging to identify and map historical organic coatings on wood JP Echard, M Thoury, BH Berrie, T Séverin-Fabiani, A Vichi, M Didier, ... Analyst 140 (15), 5344-5353, 2015 | 19 | 2015 |